The original manuscript of The Book of Merlyn is in the T. H. White Collection, Humanities Research Center, the University of Texas at Austin. Copyright ® 1977, by Shaftesbury Publishing Company AH rights reserved Published by arrangement with University of Texas Press and Julian Bach Literary Agency, Inc. All rights reserved which includes the right to reproduce this book or portions thereof in any form whatsoever. For information address University of Texas Press Box 7819 University Station Austin, Texas 78712 SBN 425-03826-2 BERKLEY MEDALLION BOOKS are published by Berkley Publishing Corporation 200 Madison Avenue New York, N. Y. 10016 BERKLEY MEDALLION BOOK • TM 757,375 Printed in the United States of America Berkley Edition, SEPTEMBER, 1978 Pages 66-72 and 101-126 of The Book ofMertyn have appeared, in slightly modified form, in The Once and Future King, copyright c 1939,1940 by T. H. White,c 1958 by T. H. White and published by G. P. PutnanVs Sons, pages 122-130 and I64-.177. The same pages have also appeared in the original British edition of The Once and Future King, published by William Collins' Sons & Co. Publisher's Statement The Book of Merlyn, written by T. H. White during World War II, was intended to be the concluding book of a planned five-book volume entitled The Once and Future King. While The Once and Future King was indeed finally published in 1958, The Book of Merlyn was not included. This is the first time it has ever fully appeared in print. White did not see proofs of The Book of Merlyn after the complete manuscript was submitted for publication late in 1941, and, as he was in the habit of making corrections and revisions once his work was set in type, this manuscript was not in final form when it came to us. However, it seemed to be so nearly finished that only minimal editing was necessary. The 1958 Putnam edition of The Once and Future King was used as a guide in our editing. The use of punctuation in dialogue was regularized. All errors in spelling were corrected, and British and archaic spellings were retained. Book titles and, usually, genus/ species names were italicized, and, where White had been inconsistent in capitalizing such words as badger, man, and democracy, capitalization was regularized. In a few cases, where the typist had obviously omitted a word, that word has been inserted. Two episodes in The Book of Merlyn—scenes where Merlyn transforms Arthur into an ant and later into a goose—have already appeared somewhat out of context in The Sword in the Stone as published in the tetralogy. White had originally written them for The Book of Merlyn in his five-book version of The Once and Future King, and we have therefore let them stand. Where Latin or Greek is not translated in the original manuscript, a translation has kindly been provided by Peter Green. THE BOOK OF MERLYN The Unpublished Conclusion to The Once and Future King The Story of the Book The dream, like the one before it, lasted about half an hour. In the last three minutes of the dream some fishes, dragons and such-tike ran hurriedly about. A dragon swallowed one of the pebbles, but spat it out. In the ultimate twinkling of an eye, far tinier in time than the last millimetre on a six-foot rule, there came a man. He split up the one pebble which remained of all that mountain with blows; then made an arrow-head of it, and slew his brother. The Sword in the Stone Chapter 18, original version **Mv FATHER made me a wooden castle big enough to get into, and he fixed real pistol barrels beneath its battlements to fire a salute on my birthday, but made me sit in front the first night—that deep x 7>ic Book of Merlyn Indian night—to receive the salute, and 1, believing I was to be shot, cried." Throughout his life White was subject to fears: fears from without—a menacing psychopathic mother, the prefects at Cheltenham College "rattling their canes," poverty, tuberculosis, public opinion; fears from within—fear of being afraid, of being a failure, of being trapped. He was afraid of death, afraid of the dark. He was afraid of his own proclivities, which might be called vices: drink, boys, a latent sadism. Notably free from fearing God, he was basically afraid of the human race. His life was a running battle with these fears, which he fought with courage, levity, sardonic wit, and industry. He was never without a project, never tired of learning, and had a high opinion of his capacities. This high opinion was shared by his teachers at the University of Cambridge. When tuberculosis tripped him in his second year, a group of dons made up a sum of money sufficient to send him to Italy for a year's convalescence. He took to Italy like a duck to water, learned the language, made some low friends, studied pension life, and wrote his first novel, They Winter Abroad. The inaugurator of the convalescent fund recalled: "... he returned in great form, determined to have the examiner's blood in Part II; and sure enough in 1929 he took a tearing First Class with Distinction." In 1932, on a Cambridge recommendation, he was appointed head of the English Department at Stowe School. It was a position of authority under an The Book of Merlyn xi enlightened headmaster who allowed him ample rope. His pupils still remember him, some for the stimulus of his teaching, others for the sting of his criticism, others again for extracurriculum rambles in search of grass snakes. He learned to fly, in order to come to terms with a fear of falling from high places, and to think rather better of the human race by meeting farm laborers at the local inn. After a couple of years he tired of Stowe, and decided on no evidence that his headmaster meant to get rid of him. With poverty a fear to be reckoned with, he constructed two potboilers and compiled another. An Easter holiday fishing in rain and solitude on a Highland river showed him what he really wanted—to write in freedom, to land a book of his own as well as a salmon. At midsummer 1936 he gave up his post and rented a gamekeeper's cottage at Stowe Ridings on the Stowe estate. The compiled potboiler, made up of extracts from his fishing, hunting, shooting, and flying diaries and called England Have My Bones, sold so well that its publisher undertook to pay him £200 a year against a yearly book. The gamekeeper's cottage stood among woodlands—a sturdy Victorian structure without amenities. It was by lamplight that White pulled from a shelf the copy of the Morte d'Arthur he had used for the essay on Malory he submitted for the English tripos, Part I. Then he had been concerned with the impression he would make on the examiners. Now he read with a free mind. One of the advantages of having taken a First Class with Distinction in English is a capacity to read. White read the Morte d'Arthur as acutely as Xll The Book of Merlyn though he were reading a brief. The note in which he summarized his findings may be his first step toward The Once and Future King: "The whole Arthurian story is a regular greek doom, comparable.to that of Orestes. "Uther started the wrong-doing upon the family of the duke of Cornwall, and it was the descendant of that family who finally revenged the wrong upon Arthur. The fathers have eaten sour grapes etc. Arthur had to pay for his father's initial transgression, but, to make it fairer, the fates ordained that he himself should also make a transgression (against the Cornwalls) in order to bind him more closely in identification with the doom. "It happened like this. "The Duke of Cornwall married Igraine and they had three daughters, Morgan le Fay, Elaine and Morgause. "Uther Pendragon fell in love with Igraine and slew her husband in war, in order to get her. Upon her he begot Arthur, so that Arthur was half brother to the three girls. But he was brought up separately. "The girls married Uriens, Nentres and Lot, all kings. They would naturally have a dislike for Uther and anybody who had anything to do with Uther. "When Uther died and Arthur succeeded him in mysterious circumstances, naturally Arthur inherited this feud. The girls persuaded their husbands to lead a revolt of eleven kings. "Arthur had been told that Uther was his father, but Uther had been a vigourous old The Book of Merlyn xiii gentleman and Merlyn had very stupidly forgotten to tell Arthur who his mother was. "After a great battle in which the 11 kings were subdued, Morgause, the wife of King Lot, came to Arthur on an embassy. They did not know of their relationship at this time. They fell for each other, went to bed together, and the result was Mordred. Mordred was thus the fruit of incest (his father was his mother's half brother), and it was he who finally brought the doom on Arthur's head. The sin was incest, the punishment Guinever, and the instrument of punishment Mordred, the fruit of the sin. It was Mordred who insisted on blowing the gaff on Launcelot and Guinever's affair, which Arthur was content to overlook, so long as it was not put into words." En trentiesme annee de mon aage Quand toutes mes hontesj'ai hues White was thirty when he rented the gamekeeper's cottage. He had done with his past, he was on good terms with himself, he was free. His solitude was peopled by a succession of hawks, a rescued tawny owl, a setter bitch on whom he unloosed his frustrated capacity to love. Now in the Morte d'Arthur, he had a subject into which he could unloose his frustrated capacity for hero worship, his accumulated miscellany of scholarship, his love of living, his admiration of Malory. It is as though, beginning a new subject, he wrote as a novice. Instead of the arid dexterity of the potboilers, The Sword in the Stone has the XIV The Book of Merlyn impetus and recklessness of a beginner's work. It is full of poetry, farce, invention, iconoclasm, and, above all, the reverence due to youth in its portrayal of the young Arthur. It was accepted for publication on both sides of the Atlantic, and in the United States was being considered by the Book of the Month Club—who took it. But it was 1938, the year of Munich; the pistol barrels in the toy fort were charged for more than a salute. Fear of war half choked him when he was fitted with a gasmask, retreated when Chamberlain bought peace on Hitler's terms, but could not be dismissed. White's thinking was typical of the postwar epoch. War was a ruinous dementia. It silenced law, it killed poets, it exalted the proud, filled the greedy with good things, and oppressed the humble and meek; no good could come of it, it was hopelessly out of date. No one wanted it. (Unfortunately, no one had passionately wanted the League of Nations, either.) If, against reason and common sense, another war should break out, he must declare himself a conscientious objector. In the first lemming rush to volunteer, he wrote to David Garnett: "I have written to Siegfried Sassoon and the headmaster of Stowe. (my poor list of influential people) to ask them if they can get me any sensible job in this wretched war, if it starts. This is the ultimatum; I propose to enlist as a private soldier in one month after the outbreak of hostilities, unless one of you gets me an efficient job before that." Chamberlain capitulated, the crisis went off the boil, White began The Witch in the Wood (the The Book of Merlyn xv second volume of The Once and Future King) and was diverted to Grief for the Grey Geese, a novel he never finished. It was conceived in a state of intense physical excitement. He was alone, he was in the intimidating sea-level territory of the Wash, he was pursuing a long-ambitioned desire, intricately compounded of sporting prowess and sadism—to shoot a wild goose in flight. The theme is significant. The geese are warred on by the goose shooters. Among the goose shooters is a renegade who takes sides with the geese, deflecting their flight away from the ranks of the shooters. White plainly identifies himself with the renegade, while bent on shooting a wild goose. In January 1939 he wrote to Garnett, who had invited him to go salmon fishing in Ireland: "If only I can get out of this doomed country before the crash, I shall be happy. Two years of worry on the subject have convinced me that I had better run for my life, and have a certain right to do so. I may just as well do this as shoot myself on the outbreak of hostilities. I don't like war, I don't want war, and I didn't start it. I think I could just bear life as a coward, but I couldn't bear it as a hero." A month later he was in Ireland, lodging in a farmhouse called Doolistown, in County Meath, where he proposed to stay long enough to finish The Witch in the Wood (published shortly thereafter) and catch a salmon. It was his home for the next six and a half years. For six of them he never heard an English voice and rarely a cultivated one. Provincial Ireland swallowed him like a deep bog. XVI The Book of Merlyn He had escaped his doomed country, but he could not avoid being in earshot of it. Diary. April 26th, 1939 Conscription is now seriously spoken of in England, and everybody lives from one speech of Hitler's to the next. I read back in this book at the various tawdry little decisions which I have tried to make under the pressure of the Beast; to be a conscientious objector, and then to fight, and then to seek some constructive wartime employment which might combine creative work with service to my country. All these sad and terrified dashes from one hunted corner to the next. Meanwhile he tried to protect his peace of mind by dashes in new directions. Lodging in a Catholic household and treated as one of the family, he considered becoming a Catholic, Because his father had happened to be born in Ireland, he deluded himself with an idea of Irish ancestry. He read books on Irish history, with scholarly dispassionateness reading authors on either side of that vexed question; he tried to learn Erse, going once a week to the local schoolmaster for lessons and "doing an hour's prep every morning"; he looked for a habitation, and rented a house called Sheskin Lodge in County Mayo for the shooting; later, he made researches into the legendary Godstone on the island of Inniskea. More to the purpose, being involuntary, he was captured by the somber beauty, the desolate charm, of Erris—that part of County Mayo lying between the Nephin Beg range and the sea. The Book of Merlyn xvii It was at Sheskin Lodge, embowered in fuchsias and rhododrendron thickets and surrounded by leagues of bog, that he heard the last English voices. They were saying Goodbye. War had been declared, the visiting Garnetts were going back to England. The tenancy of Sheskin ran out, he returned to Doolistown and listened to the news. October 20th, 1939 There don't seem to be many people being killed yet—no hideous slaughters of gas and bacteria. But the truth is going. We are suffocating in propaganda instead of gas, slowly feeling our minds go dead. October 23rd The war as one hears of it over the wireless is more terrible than anything lean imagine of mere death, ft seems to me that death must be a noble and terrible mystery, whatever one's creed or one's circumstances of dying. It is a natural thing, anyway. But what is happening over the wireless is not natural. The timbre of the voices which sing about Hitler and death is a sneering, nasal mock-timbre. Devils in hell must sing like this. By then he was preparing for The Ill-Made Knight (The Witch in the Wood, delivered to his publisher six months earlier, had been returned with a request that it might be rewritten) and making an analysis of the character of Malory's Sir Lancelot—with traits akin to his own: XV111 The Book of Merlyn "Probably sadistic, or he would not have taken such frightful care to be gentle.... Fond of being alone," In the analysis of Guenever, where he had nothing personal to go on, he speculates, and does his best to overcome his aversion to women. "Guenever had some good characteristics. She chose the best lover she could have done and was brave enough to let him be her lover." "Guenever hardly seems to have been a favourite of Malory's, whatever Tennyson may have thought about her," It was a new departure for White to approach a book so deliberately or write it so compactly. There is no easy-going writing in The Ill-Made Knight, where the Doom tightens on Arthur, and Lancelot is compelled to be instrumental in it by his love for Guenever. He wrote it in Erris, in the small-town hotel at Belmullet, between researches into the Godstone, lying out on freezing mornings waiting for the passage of the wild geese, local jovialities, and drinking fits after which he would lock himself in his hotel bedroom in terror of the I.R.A. On October 1 st, having completed The Ill-Made Knight, he put Erris behind him and went back to Doolistown to write The Candle in the Wind. This, the last Morte d'Arthur book, in which the doomed king staggers from defeat to defeat, already existed as the skeleton of a play. White was incapable of writing slowly. By midautumn the play was brought to life as a narrative, and he was considering titles for the complete tetralogy: The Ancient Wrong... Arthur Pendragon... The Book of Merlyn xix November 14th, 1940 Pendragon can still be saved, and elevated into a superb success, by altering the last part of Book 4, and taking Arthur back to his animals. The legend of his going underground at the end, into the badger's sett, where badger, hedgehog, snake, pike (stuffed in case) and all the rest of them can be waiting to talk it over with him. Now, with Merlyn, they must discuss war from the naturalist's point of view, as I have been doing in this diary lately. They must decide to talk thoroughly over, during Arthur's long retirement underground, the relation of Man to the other animals, in the hope of getting a new angle on his problem from this. Such, indeed, was Merlyn's original objective in introducing him to the animals in the first place. Now what can we learn about abolition of war from animals? Pendragon can still be saved. Another salvation was involved. White had gone to Belmullet assuming himself to be at home in Ireland. He came away an Englishman in exile. He had been received, and welcomed as something new to talk about; he had never been accepted. Another Ancient Wrong forbade it—the cleft between the hated and the hating race. He was believed to be a spy (the rumour of an English invasion had kept most of Belmullet sitting up all night); his movements were watched; he was reported to the police and not allowed to leave the mainland; he had joined the local security force, but was asked not to attend parades. His disillusionment may have xx The Book of Merlyn been rubbed in by the parallel with The Candle in the Wind, where Arthur's goodwill is of no avail against his hereditary enemies. Now another winter lay before him, a winter of intellectual loneliness, with only himself to consult, only himself to feed on. He had a roof over his head, a room to be alone in, regular meals, the hedged landscape of County Meath to walk his dog in, nothing much to complain of, nothing to go on with. War had imprisoned him in a padded cell, It was his own salvation he leaped at. On December 6th, he wrote to L. J. Potts, formerly his tutor at Cambridge, continuously his Father Confessor in Letters: "The next volume is to be called The Candle in the Wind (one has to add D.V. nowadays)... It will end on the night before the last battle, with Arthur absolutely wretched. And after that I am going to add a new 5th volume, in which Arthur rejoins Merlyn underground (it turns out to be the badger's sett of Vol. i) and the animals come back again, mainly ants and wild geese. Don't squirm. The inspiration is godsent. You see, I have suddenly discovered that (1) the central theme of Morte d'Arthur is to find an antidote to war, (2) that the best way to examine the politics of man is to observe him, with Aristotle, as a political animal. I don't want to go into all this now, it will spoil the freshness of the future book, but I have been thinking a great deal, in a Sam Butlerish way, about man as an animal among animals—his cerebrum, etc. I think I can really make a comment on all these futile isms (communism, fascism, conservatism, etc.) by stepping back— The Book of Merlyn xxi right back into the real world, in which man is only one of the innumerable other animals. So to put my 'moral' across (but I shan't state it), I shall have the marvellous opportunity of bringing the wheel full circle, and ending on an animal note like the one I began on. This will turn my completed epic into a perfect fruit, 'rounded off and bright and done.™ On the same day he wrote to Gamett, asking what book it was in which Garnett alleged having read that Malory raided a convent, and continuing, "So far as I can see, my fifth volume is going to be all about the anatomy of the brain. It sounds odd for Arthur, but it is true. Do you happen to know, offhand, of a pretty elementary but efficient book about brain anatomy in animals, fish, insects, etc. ? I want to know what sort of cerebellum an ant has, also a wild goose. You are the sort of person who would know this." Though White uses the future tense in his letters to Potts, it is unlikely that he waited from November 14th to December 6th before beginning The Book of Merlyn. Book 5, taking up where the original Book 4 ended, has an immediacy of plain statement that could not have brooked much delay. Arthur is still sitting alone in his tent at Salisbury, awaiting his last battle in the final insolvency of his hopes, and weeping the slow tears of old age. When Merlyn enters to renew their former master-pupil relationship and sees the extent of Arthur's misery, he is not sure whether he can do so at this late hour. His assurance that legend will perpetuate Arthur and the Round Table long after history has mislaid them falls on xxii The Book of Merlyn inattentive ears. He invokes their past relationship. The pupil has outgrown the master and puts him off with a Le roy s'advisera. Nowhere in the four previous volumes had White made Arthur so much a king as in this portrayal of him defeated. In Farewell Victoria, his novel of the early thirties, he hit on the phrase "the immortal generals of defeat" In the first chapter of The Book of Merlyn he substantiated it. But the scheme of Book 5 is to take Arthur underground, where the animals of Book I are waiting to talk to him, and where Merlyn is to subject him to the contents of White's notebook so that he may discover what can be learned from animals about the abolition of war. Since animals avoid warring with their kind, this could be a good subject to examine. But the discussion is slanted from the first by Merlyn's insistence on the inferiority of man. Liber scriptus proferetur... Merlyn has opened White's notebook, and finds small evidence that man deserves to be placed among the two thousand eight hundred and fifty species of mammalian animals in the world. They know how to behave befittingly, existing without war or usurpation. Man does not. Merlyn weakens the denunciation by adding the insult that man is a parvenu. At this point no one present is impious enough to suggest that man may do better in time. At a later stage of the discussion Arthur, the representative of the parvenu species, suggests that man has had a few good ideas, such as buildings and arable fields. He is put in his place by the achievements of coral animals, beavers, The Book of Merlyn xxiii seed-carrying birds, and finally felled with the earthworm, so much esteemed by Darwin. The distinction between performing and planned performance is not allowed to occur to him, and the conversation sweeps on to nomenclature: Homoferox (sapiens being out of the question), Homo stultus, Homo impoliticus. The last is the most damning; man must remain savage and dunderheaded till, like the other mammalian species, he learns to live peaceably. It is easy to pick holes in White's rhetoric. The Book of Merlyn was written with the improvidence of an impulse. It holds much that is acute, disturbing, arresting, much that is brilliant, much that is moving, besides a quantity of information. But Merlyn, the main speaker, is made a mouthpiece for spleen, and the spleen is White's. His fear of the human race, which he seemed to have got the better of, had recurred, and was intensified into fury, fury against the human race, who make war and glorify it. No jet of spleen falls on the figure of Arthur. Whenever he emerges from the torrent of instruction, he is a good character slow to anger, willing to learn, and no fool. He is as recuperable as grass, and enjoys listening to so much good talk. When Merlyn tells him that to continue his education he must become an ant, he is ready and willing. Magicked into an ant, he enters the ants' nest which Merlyn keeps for scientific purposes. What he sees there is White's evocation of the totalitarian state. Compelled by his outward form to function as a working ant, he is so outraged by the slavish belligerence and futility of his fellow xxiv The Book of Merlyn workers that he opposes an ant army in full march, and has to be snatched away by Merlyn. For his last lesson White consigns him to what by then must have seemed an irrecoverable happiness: the winter of 1938 when he went goose shooting. It is an insight into how many experiences White packed into his days and how vividly he experienced them that little more than two years had elapsed between Grief for the Grey Geese and The Book of Merlyn. He had taken the goose book with him when he went to fish in Ireland, and Chapter 12 of The Book of Merlyn opens with its description of the dimensionless dark flatness of the Lincolnshire Wash and the horizontal wind blowing over it. But now it is Arthur, become a goose, who faces the wind and feels the slob under his webbed feet, though he is not completely a goose as he has yet to fly. When the flock gathers and takes off for the dawn flight, he rises with it. The old patch shames the new garment. In that winter of two years before, White was at the height of himself, braced against an actual experience, his senses alert, his imagination flaring like a bonfire in the wind. "I am so physically healthy,** he wrote to Sydney Cockerell, "that I am simply distended with sea-air and icebergs and dawn and dark and sunset, so hungry and sober and wealthy and wise, that my mind has gone quite to sleep.** At Doolistown his mind was insomniac, vexed, and demanding. It allowed him to extend the vitality of the old patch over the few pages where The Book of Merlyn xxv Arthur watches the geese. But with Chapter 13 the intention to convince drives out the creative intention to state, and with but one intermission— when the hedgehog leads Arthur to a hill in the west-country, where he sits looking at his sleeping kingdom under the moon and is reconciled to the bad because of the good—the book clatters on like a factory with analysis, proof and counterproof, exhortation, demonstration, explanation, historical examples, parables from nature—even the hedgehog talks too much. Yet the theme was good, and timely, and heartfelt, and White preserves an awareness of persons and aerates the dialectics with traits of character and colloquial asides. It is clear from the typescript that he recognized the need for this, for many of these mitigations were added by hand. Whenever he can escape from his purpose— no less aesthetically fell for being laudable—into his rightful kingdom of narrative, The Book of Merlyn shows him still master of his peculiar powers. It is as though the book were written by two people: the storyteller and the clever man with the notebook who shouts him down. Perhaps he went astray in that stony desert of words and opinions because he lacked his former guide. In the final chapter, Malory has returned. Under his tutelage White tells how, after Arthur's death in battle, Guenever and Lancelot, stately abbess and humble hermit, came to their quiet ends. These few pages are among the finest that White ever wrote. Cleverness and contention and animus are dismissed: there is no place for them in the completed world of legend, where White and xxvi The Book of Merlyn Malory stand farewelling at the end of the long journey that began by lamplight in the gamekeeper's cottage at Stowe Ridings. This is the true last chapter of The Once and Future King, and should have its place there. Fate saw otherwise. "I have suddenly discovered that... the central theme of Morte d'Arthur is to find an antidote to war." To give weight to his discovery by making it seem less sudden, White incorporated new material into the already published three volumes. In November 1941 he sent them, together with The Candle in the Wind and The Book of Merlyn, to his London publisher, to be published as a whole. Mr. Collins was disconcerted. He replied that the proposal would need thinking over. So long a book would take a great deal of paper. The prosecution of war made heavy demands on the paper supply: forms in triplicate, regulations, reports, instructions to civilians, light reading for forces, etc. White insisted that the five books should appear as a whole. After prolonged negotiations, in the course of which White's demand to see The Book of Merlyn in proof escaped notice—a grave pity, for he was accustomed to rely on print to show up what was faulty or superfluous—the fivefold Once and Future King was laid by. The Once and Future King was not published till 1958. It was published as a tetralogy. The Book of Merlyn, that attempt to find an antidote to war, had become a war casualty. Sylvia Townsend Warner Introducing The Book of Merlyn WE NOW FIND King Arthur of England, sitting in his campaign tent on the eve of battle. Tomorrow, he will face his bastard son Mordred and that youth's army of Nazi-like Thrashers on the battlefield. His reign has been painfully long for Arthur, and he is bent with age and sadness and defeat. After a happy youth at Sir Ector's castle in the Forest Sauvage, where Merlyn the magician introduced him to the political ideologies found in the animal kingdom by temporarily transforming him into various beasts, Arthur was placed on the throne by destiny, compelled by his sense of justice and harmony to create the "civilized world" and the famous Round Table, to stimulate the Quest for the Holy Grail in an effort to keep man from killing man. But a darker fate also dictated his ignorant siring of an illegitimate son by his own half sister XX VII xxviii The Book of Merlyn and forced his wife Guenever and his best knight Lancelot into each other's arms, thus causing rivalry, deceit, and jealousy among the knights. These last proved to be the old king's downfall. Forgotten were his achievements for the Might of Right and for peace on earth. Forgotten too was his own anguish at having tried his best and failed. The Quest had led nowhere, the Round Table was dispersed. Now Guenever was besieged by Mordred and his Thrashers in the Tower of London and Lancelot was exiled in France, both victims of Mordred's obsession to gain Arthur's throne. So now Arthur is alone, fulfilling his royal duties by absentmindedly going through the day's paperwork, feeling his losses and his pain. He looks up at a movement at his tent door. The Book of Merlyn Incipit Liber Quintus He thought a tittle and said: "I have found the Zoological Gardens of service to many of my patients. I should prescribe for Mr. Pontifex a course of the larger mammals. Don't let him think he is taking them medicinally...." IT WAS NOT the Bishop of Rochester. The king turned his head away from the newcomer, incurious as to his identity. The tears, running down his loose cheeks with their slow plods, made him feel ashamed to be seen: yet he was too vanquished to check them. He turned stubbornly from the light, unable to do more. He had reached the stage at which it was not worthwhile to hide an old man's misery. Merlyn sat down beside him and took the worn hand, which made the tears flow faster. The magician patted the hand, holding it quietly with a thumb on its blue veins, waiting for life to revive. "Merlyn?" asked the king. He did not seem to be surprised. "Are you a dream?" he asked. "Last night I dreamed that Gawaine came to me, with a troupe of fair ladies. He said they were allowed to come 4 The Book of Merlyn with him, because he had rescued them in his lifetime, and they had come to warn us that we should all be killed tomorrow. Then I had another dream, that I was sitting on a throne strapped to the top of a wheel, and the wheel turned over, and I was thrown into a pit of snakes." "The wheel is come full circle: I am here." "Are you a bad dream?" he asked. "If you are, do not torment me." Merlyn still held the hand. He stroked along the veins, trying to make them sink into the flesh. He soothed the flaky skin and poured life into it with mysterious concentration, encouraging it to resilience. He tried to make the body flexible under his finger-tips, helping the blood to course, putting a bloom and smoothness on the swollen joints, but not speaking. "You are a good dream," said the king. "I hope you will go on dreaming." "I am not a dream at all. I am the man whom you remembered." "Oh, Merlyn, it has been so miserable since you left! Everything which you helped to do was wrong. All your teaching was deception. Nothing was worth doing. You and I will be forgotten, like people who never were." "Forgotten?" asked the magician. He smiled in the candle light, looking round the tent as if to assure himself of its furs and twinkling mail and the tapestries and vellums. "There was a king," he said, "whom Nennius wrote about, and Geoffrey of Monmouth. The Archdeacon of Oxford was said to have had a hand in him, and even that delightful ass, Gerald The Book of Merlyn 5 the Welshman. Brut, Layamon and the rest of them: what a lot of lies they all managed to tell! Some said that he was a Briton painted blue, some that he was in chain mail to suit the ideas of the Norman romancers. Certain lumbering Germans dressed him up to vie with their tedious Siegfrieds. Others put him into plate, like your friend Thomas of Hutton Coniers, and others again, notably a romantic Elizabethan called Hughes, recognised his extraordinary problem of love. Then there was a blind poet who tried to justify God's ways to man, and he weighed Arthur against Adam, wondering which was more important of the two. At the same time came masters of music like Purcell, and later still such titans as the Romantics, endlessly dreaming about our king. There came men who dressed him in armour like ivy-leaves, and who made all his friends to stand about among ruins with brambles twining round them, or else to swoon backward with a mellow blur kissing them on the lips. Also there was Victoria's lord. Even the most unlikely people meddled with him, people like Aubrey Beardsley, who illustrated his history. After a bit there was poor old White, who thought that we represented the ideas of chivalry. He said that our importance lay in our decency, in our resistance against the bloody mind of man. What an anachronist he was, dear fellow! Fancy starting after William the Conqueror, and ending in the Wars of the Roses... Then there were people who turned out the Morte d'Arthur in mystic waves like the wireless, and others in an undiscovered hemisphere who still pretended that Arthur and 6 The Book of Merlyn Merlyn were the natural fathers of themselves in pictures which would move. The Matter of Britain! Certainly we were forgotten, Arthur, if a thousand years and half a thousand, and yet a thousand years again, are to be the measure of forgetfulness." "Who is this Wight?" "A fellow," replied the magician absently. "Just listen, will you, while I recite a piece from Kipling?" And the old gentleman proceeded to intone with passion the famous paragraph out of Pook's Hill: '"I've seen Sir Huon and a troop of his people setting off from Tintagel Castle for Hy-Brasil in the teeth of a sou'-westerly gale, with the spray flying all over the castle, and the Horses of the Hill wild with fright. Out they'd go in a lull, screaming like gulls, and back they'd be driven five good miles inland before they could come head to wind again.... It was Magic—Magic as black as Merlin could make it, and the whole sea was green fire and white foam with singing mermaids in it. And the Horses of the Hill picked their way from one wave to another by the lightning flashes! That was how it was in the old days!' "There is description for you," he added, when he had finished the piece. "There is prose. No wonder that Dan cried 'Splendid!' at the end of it. And all was written about ourselves or about our friends." "But Master, I do not understand." The magician stood up, looking at his ancient pupil in perplexity. He twisted his beard into The Book of Merlyn 1 several rat tails, put the corners in his mouth, twirled his moustachios, and cracked his finger joints. He was frightened of what he had done to the king, feeling as if he were trying to revive a drowned man with artificial respiration, who was nearly too far gone. But he was not ashamed. When you are a scientist you must press on without remorse, following the only thing of any importance, Truth. Later he asked quietly, as if he were calling somebody who was asleep: "Wart?" There was no reply. "King?" The bitter answer was: "Le roy s'advisera." It was worse than he had feared. He sat down, took the limp hand, and began to wheedle. "One more try," he asked. "We are not quite done." "What is the use of trying?" "It is a thing which people do." "People are dupes, then." The old fellow replied frankly: "People are dupes, and wicked too. That is what makes it interesting to get them better." His victim opened his eyes, but closed them wearily. "The thing which you were thinking about before I came, king, was true. I mean about Homoferox. But hawks are ferae naturae also: that is their interest." The eyes remained closed. "The thing which you were thinking about... about people being machines: that was 8 The Book of Merlyn not true. Or, if it is true, it does not signify. For if we are all machines ourselves, then there are none to bother about." "I see." Curiously enough, he did see. Also his eyes came open and remained open. "Do you remember the angel in the Bible, who was ready to spare whole cities provided that one just man could be found? Was it one? That applies to Homoferox, Arthur, even now." The eyes began to watch their vision closely. "You have been taking my advice too literally, king. To disbelieve in original sin, does not mean that you must believe in original virtue. It only means that you must not believe that people are utterly wicked. Wicked they may be, and even very wicked, but not utterly. Otherwise, I agree, it would be no use trying." Arthur said, with one of his sweet smiles: "This ts a good dream. I hope it will be long." His teacher took out his spectacles, polished them, put them on his nose, and examined the old man carefully. There was a hint of satisfaction behind the lenses. "Unless," he said, "you had lived this, you would not have known it. One has to live one's knowledge. How are you?" "Fairly well. How are you?" "Very well." They shook hands, as if they had just met. "Will you be staying?" "Actually," replied the necromancer, now blowing his nose furiously in order to hide his glee, or perhaps to hide his contrition, "I shall The Book of Merlyn 9 hardly be here at all. I have been sent with an invitation." He folded his handkerchief and replaced it in his cap. "Any mice?" asked the king with a first faint twinkle. The skin of his face twitched as it were, or tautened itself for the fraction of a second, so that you could see underneath it, in the bone perhaps, the freckled, snub-nosed countenance of a little boy who had once been charmed by Archimedes. Merlyn took the skull-cap off indulgently. "One," he said. "I think it was a mouse: but it has become partly shrivelled. And here, I see, is the frog I picked up in the summer. It had been run over, poor creature, during the drought. A perfect silhouette." He examined it complacently before putting it back, then crossed his legs and examined his companion in the same way, nursing his knee. "The invitation," he said. "We were hoping you would pay us a visit. Your battle can look after itself until tomorrow, we suppose?" "Nothing matters in a dream." This seemed to anger him, for he exclaimed with some vexation: "I wish you would stop about dreams! You must consider other people." "Never mind." "The invitation, then. It was to visit my cave, where young Nimue put me. Do you remember her? There are some friends in it, waiting to meet you." "It would be beautiful." "Your battle is arranged, I believe, and you 10 The Book of Merlyn would hardly sleep in any case. It might cheer your heart to come." "Nothing is arranged," said the king. "But dreams arrange themselves." At this the aged gentleman leaped from his seat, clutching his forehead as if he had been shot in it, and raised his wand of libnum vitae to the skies. "Merciful powers! Dreams again!" He took off his conical hat with a stately gesture, looked piercingly upon the bearded figure opposite which looked as old as he did, and banged himself on the head with his wand as a mark of exclamation. Then he sat down, half stunned, having misjudged the emphasis. The old king watched him with a warming mind. Now that he was dreaming of his long-lost friend so vividly, he began to see why Merlyn had always clowned on purpose. It had been a means of helping people to learn in a happy way. He began to feel the greatest affection, which was even mixed with awe, for his tutor's ancient courage: which could go on believing and trying with undaunted crankiness, in spite of ages of experience. He began to be lightened at the thought that benevolence and valour could persist. In the lightening of his heart he smiled, closed his eyes, and dropped asleep in earnest. WHEN HE OPENED THEM, it was still dark. Merlyn was there, moodily scratching the greyhound's ears and muttering. He had saved his pupil from misery before, by being nasty to him when he was a young boy called the Wart, but he knew that the poor old chap before him now had suffered too much misery for the trick to work again. The next best thing was to distract the king's attention, he must have decided, for he set to work as soon as the eyes were open, in a way which all magicians understand. They are accustomed to palm things off on people, under a mirage of patter. "Now," he said. "Dreams. We must get this over for good and all. Apart from the maddening indignity of being called a dream—personally, because it muddles you—it confuses other people. How about the learned readers? And it is degrading to ourselves. When I was a third-rate schoolmaster in the twentieth century—or was it 11 12 The BookofMerlyn in the nineteenth—every single boy I ever met wrote essays for me which ended: Then he woke up. You could say that the Dream was the only literary convention of their most degraded classrooms. Are we to be this? We are the Matter of Britain, remember. And what of oneirocriticism, I ask? What are the psychologists to make of it? Stuff as dreams are made of is stuff and nonsense in my opinion." "Yes," said the king meekly. "Do I look like a dream?" "Yes." Merlyn seemed to gasp with vexation, then put the whole beard into his mouth at one mouthful. After this he blew his nose and went away to stand in a corner, with his face to the canvas, where he began to soliloquise indignantly. "Of all the persecutions and floutings," he stated. "How can a necromancer prove he is not a vision, when suspected of the baseness? A ghost may prove he is alive by being pinched: but not so with a by-our-lady dream. For, argal, you can dream of pinches. Yet hist! There is the noted remedy, in which the dreamer pinches his own leg. "Arthur," he directed, turning round like a top, "be pleased to pinch yourself." "Yes." "Now, does this prove you are awake?" "I doubt it," The vision examined him sadly. "I was afraid it would not," it agreed; and it returned to its corner, where it began to recite some complicated passages from Burton, Jung, Hippocrates and Sir Thomas Browne. The Book of Merlyn 13 After five minutes, it struck its fist into the palm of the other hand and marched back to the candle light, inspired by the bed of Cleopatra. "Listen," Merlyn announced. "Have you ever dreamed of a smell?" "Dreamed of a smell?" "Do not repeat." "I can hardly..." "Come, come. You have dreamed of a sight, have you not? And of a feeling: everybody has dreamed of a feeling. You may even have dreamed of a taste. I recollect that once when I had forgotten to eat anything for a fortnight, I dreamed of a chocolate pudding: which I distinctly tasted, but it was snatched away. The question is, have you ever dreamed of a smell?" "I do not think I have: not to smell it." "Make sure. Do not stare like an idiot, my dear man, but attend to the matter in hand. Have you ever dreamed with your nose?" "Never. I cannot remember dreaming of a smell." "You are positive?" "Positive." "Then smell that!" cried the necromancer, snatching off his skull-cap and presenting it under Arthur's nose, with its cargo of mice, frogs and a few shrimps for salmon-fishing which he had overlooked. "Phew!" "Am I a dream now?" "It does not smell like one." "Well, then..." "Merlyn," said the king. "It makes no 14 The Book of Merlyn difference whether you are a dream or not, so long as you are here. Sit down and be patient for a little, if you can. Tell me the reason of your visit. Talk. Say you have come to save us from this war." The old fellow had achieved his object of artificial respiration as well as he could; so now he sat down comfortably, and took the matter in hand. "No," he said. "Nobody can be saved from anything, unless they save themselves. It is hopeless doing things for people—it is often very dangerous indeed to do things at all—and the only thing worth doing for the race is to increase its stock of ideas. Then, if you make available a larger stock, the people are at liberty to help themselves from out of it. By this process the means of improvement is offered, to be accepted or rejected freely, and there is a faint hope of progress in the course of the millennia. Such is the business of the philosopher, to open new ideas. It is not his business to impose them on people." "You did not tell me this before." "Why not?" "You have egged me into doing things during all my life... The Chivalry and the Round Table which you made me invent, what were these but efforts to save people, and to get things done?" "They were ideas," said the philosopher firmly, "rudimentary ideas. All thought, in its early stages, begins as action. The actions which you have been wading through have been ideas, clumsy ones of course, but they had to be established as a foundation before we could begin The Book of Merlyn 15 to think in earnest. You have been teaching man to think in action. Now it is time to think in our heads." "So my Table was not a failure—Master?" "Certainly not. It was an experiment. Experiments lead to new ones, and this is why 1 have come to take you to our burrow." "I am ready," he said, amazed to find that he was feeling happy. "The Committee discovered that there had been some gaps in your education, two of them, and it was determined that these ought to be put right before concluding the active stage of the Idea." "What is this committee? It sounds as if they had been making a report." "And so we did. You will meet them presently in the cave. But now, excuse my mentioning it, there is a matter to arrange before we go." Here Merlyn examined his toes with a doubtful eye, hesitating to continue. "Men's brains," he explained in the end, "seem to get petrified as they grow older. The surface becomes perished, like worn leather, and will no longer take impressions. You may have noticed it?" "I feel a stiffness in my head." "Now children have resilient, plastic brains," continued the magician with relish, as if he were talking about caviare sandwiches. "They can take impressions before you could say Jack Robinson. To learn a language when you are young, for instance, might literally be called child's play: but after middle age one finds it is the devil." 16 The Book of Merlyn "I have heard people say so." "What the committee suggested was, that if you are to learn these things we speak of, you ought— ahem—you ought to be a boy. They have furnished me with a patent medicine to do it. You understand: you would become the Wart once more." "Not if I had to live my life again," replied the other old fellow evenly. They faced each other like image and object in a mirror, the outside corners of their eyes drawn down with the hooded lids of age. "It would be only for the evening." "The Elixir of Life?" "Exactly. Think of the people who have tried to find it." "If I were to find such a thing, I would throw it away." "I hope you are not being stupid about children," asked Merlyn, looking vaguely about him. "We have high authority for being born again, like little ones. Grown-ups have developed an unpleasant habit lately, I notice, of comforting themselves for their degradation by pretending that children are childish. I trust we are free from this?" "Everybody knows that children are more intelligent than their parents." "You and I know it, but the people who are going to read this book do not. "Our readers of that time," continued the necromancer in a grim voice, "have exactly three ideas in their magnificent noodles. The first is that the human species is superior to others. The The Book of Merlyn 17 second, that the twentieth century is superior to other centuries. And the third, that human adults of the twentieth century are superior to their young. The whole illusion may be labelled Progress, and anybody who questions it is called puerile, reactionary, or an escapist. The March of Mind, God help them." He considered these facts for some time, then added: "And a fourth piece of scientific clap-trap which they are to have, rejoices in the name of anthropomorphism. Even their children are supposed to be so superior to the animals that you must never mention the two creatures in the same breath. If you begin considering men as animals, they put it the other way round and say that you are considering animals as men, a sin which they hold to be worse than bigamy. Imagine a scientist being merely an animal, they say! Tut-tut, and Tilly-fol-de-rido!" "Who are these readers?" "The readers of the book." "What book?" "The book we are in." "Are we in a book?" "We had better attend to the job," said Merlyn hastily. He took hold of his wand, rolled up his sleeves, and fixed a tight eye on the patient. "Do you agree?" he asked. But the old king stopped him. "No," he said, with a sort of firm apology. "I have earned my body and mind with many years of labour. It would be undignified to change them. I am not too proud to be a child, Merlyn, 18 The Book of Merlyn but too old. If it were my body which were to be made young, it would be unsuitable to keep an old mind in it. While, if you were to change them both, the labour of living all those years would turn to vanity. There is nothing else for it, Master. We must keep the state of life to which it has pleased God to call us." The magician lowered the wand. "But your brain," he complained. "It is like a fossilised sponge. And would you not have liked to be young, to frisk about and feel your knees again? Young people are happy, are they not? We had meant it for a pleasure." "It would indeed have been a pleasure, and thank you for thinking of it. But life is not invented for happiness, I do believe. It is made for something else." Merlyn chewed the end of his stick while he considered. "You are right," he said in the end. "I was against the proposal from the start. But something will have to be done to souple your intellects, for all that, or you will never catch the new idea. I suppose there would be no objection to a cerebral massage, if I could manage it? I should have to get my galvanic batteries, my extra-reds and under-violets: my french chalk and my pinches of this and that: a touch of adrenalin and a sniff of garlic. You know the kind of thing?" "No, if you think it is right." He extended his hand into the ether, with a well-remembered gesture, and the apparatus began to materialise obediently: muddled up as usual. THE TREATMENT WAS UNPLEASANT. It Was like having one's hair brushed vigorously the wrong way, or like having a sprained ankle flexed by that dreadful kind of masseuse who urges people to relax. The king gripped the arms of his chair, closed his eyes, clenched his teeth and sweated. When he opened them for the second time that evening, it was on a different world. "Good heavens!" he exclaimed, jumping to his feet. In leaving the chair he did not take his weight upon his wrists, like an old man, but upon the palms and phalanges. "Look at the dog's hollow eyes! The candles are reflected from the back, not from the front, as if it were from the bottom of a cup. Why have I never noticed this before? And look here: there is a hole in Bathsheba's bath, which needs darning. What is this entry in the book? Susp.?* Who has betrayed 'Abbreviation for suspendaiur, "let him be hanged." 19 20 The Book of Merlyn us into hanging people? Nobody deserves to be hanged. Merlyn, why is there no reflection from your eyes, when I put the candles between us? Why have I never thought about it? The light comes red from a fox, green from a cat, yellow from a horse, saffron from a dog... And look at that falcon's beak: it has a tooth in it like a saw! Goshawks and sparrow-hawks do not have a tooth. It must be a peculiarity offalco. What an extraordinary thing a tent is! Half of it is trying to push it up, and the other half is trying to pull it down. Ex nihilo res fit. t And look at those chessmen! Check-mate indeed! Nay, we will try the ploy again..." Imagine a rusty bolt on the garden door, which has been set wrong, or the door has sagged on its hinges since it was put on, and for years that bolt has never been shot efficiently: except by hammering it, or by lifting the door a little, and wriggling it home with effort. Imagine then that the old bolt is unscrewed, rubbed with emery paper, bathed in paraffin, polished with fine sand, generously oiled, and reset by a skilled workman with such nicety that it bolts and unbolts with the pressure of a finger—with the pressure of a feather—almost so that you could blow it open or shut. Can you imagine the feelings of the bolt? They are the feelings of glory which convalescent people have, after a fever. It would look forward fSomething comes of nothing." This is a parody or adaptation of ex nihilo nihilfit, that is, "nothing comes of nothing," familiar (though not in that exact form) from both Lucretius and Persius. The Book of Merlyn 21 to being bolted, yearning for the rapture of its sweet, successful motion. For happiness is only a bye-product of function, as light is a bye-product of the electric current running through the wires. If the current cannot run efficiently, the light does not come. That is why nobody finds happiness, who seeks it on its own account. But man must seek to be like the working bolt; like the unimpeded run of electricity; like the convalescent whose eyes, long thwarted in their sockets by headache and fever, so that it was a grievous pain to move them, now flash from side to side with the ease of clean fishes in clear water. The eyes are working, the current is working, the bolt is working. So the light shines. That is happiness: working well. "Hold hard," said Merlyn. "After all, we have no train to catch." "No train?" "I beg your pardon. It is a quotation which a friend of mine used to apply to human progress. However, as you look as if you were feeling better, shall we start for the cave at once?" "Immediately." They made no further ado but lifted the tent-flap and were gone, leaving the sleeping greyhound to watch the hooded hawk in solitude. Hearing the tent-flap lift, the blinded bird screamed out in raucous accents for attention. It was a bracing walk for both of them. The wild wind and the speed of their passage tugged their beards to left or right over their shoulders, accordingly as they did not face exactly into the 22 The Book of Merlyn eye of it, which gave a tight feeling at the hair-roots, as if they were in curl papers. They sped over Salisbury plain, past the thought-provoking monument of Stonehenge, where Merlyn, in passing, cried a salutation to the old gods whom Arthur could not see: to Crom, Bell and others. They whirled over Wiltshire, strode beyond Dorset and sped through Devon, as fast as a wire cutting cheese. The plains, downs, forests, moors and hillocks fell behind them. The glinting rivers swung past like the spokes of a turning wheel. In Cornwall they halted, by the side of an ancient tumulus like an enormous mole-hill, with a dark opening in its side. "We go in." "I have been to this place before," said the king, standing still in a kind of catalepsy. "Yes." "When?" "When yourself?" He groped, searched in his mind, feeling that the revelation was in his heart. But "No," he said, "I cannot remember." "Come and see." They went down the labyrinthine passages, past the turnings which led to the bedchambers, to the middens, to the storerooms and to the place where you went if you wanted to wash your hands. At last the king stopped, with his fingers on the door latch at the end of a passage, and announced: "I know where I am." Merlyn watched. "It is the badger's sett, where I went when I was a child." The Book of Merlyn 23 'Yes.' "Merlyn, you villain! I have been mourning you for half a lifetime, because I thought you were shut up like a toad in a hole, and all the time you have been sitting in the Combination Room, arguing with badger!" "Open the door, and look." He opened it. There was the well-remembered room. There were the portraits of long-dead badgers, famous for scholarship or godliness: there were the glow-worms and the mahogany fans and the tilting board for circulating the decanters. There were the moth-eaten gowns and the chairs of stamped leather. But, best of all,1 there were his earliest friends—the preposterous committee. They were rising shyly to their feet to greet him. They were confused in their humble feelings, partly because they had been looking forward to the surprise so much, and partly because they had never met real kings before—so that they were afraid he might be different. Still, they were determined that they ought to do the thing in style. They had arranged that the proper thing would be to stand up, and perhaps to bow or smile a bit. There had been solemn consultations among them about whether he ought to be addressed as "Your Majesty" or as "Sir," about whether his hand ought to be kissed, about whether he would be much changed, and even, poor souls, about whether he would remember them at all. They were there in a circle round the fire: badger hoisting himself bashfully to his feet while 26 The Book of Merlyn a perfect avalanche of manuscript shot out of his lap into the fender: T. natrix uncoiling himself and flickering an ebon tongue, with which he proposed to kiss the royal hand if necessary. Archimedes bobbing up and down with pleasure and anticipation, half spreading his wings and causing them to flutter, like a small bird asking to be fed: Balin looking crushed for the first time in his life, because he was afraid he might have been forgotten: Cavall, so agonised by the glory of his feelings that he had to go away into a corner and be sick: goat, who had given the emperor's salute in a flash of foresight long before: hedgehog standing loyal and erect at the bottom of the circle, where he had been made to sit apart from the others on account of his fleas, but full of patriotism and anxiety to be noticed if possible. Even the enormous stuffed pike, which was a novelty over the mantelpiece beneath the Founder, seemed to regard him with a supplicating eye. "Oh, people!" exclaimed the king. Then they all flushed a great deal, and shuffled their feet, and said that he must please to excuse their humble home, or Welcome to Your Majesty, or We did mean to put up a banner only it had got lost, or Are your regal feet wet? or Here comes the squire, or Oh, it is so lovely to see you after all these years! Hedgehog saluted stiffly, saying "Rule Britannia!" The next moment a rejuvenated Arthur was shaking hands with all, kissing them and thumping them on the back, until the tears stood in every eye. The Book of Merlyn 27 "We did not know..." sniffed the badger. "We were afraid you might have forgot.. .** "Do we say Your Majesty, or do we say Sir?" He sensibly answered the question on its merits. "It is Your Majesty for an emperor, but for an ordinary king it is Sir." So from that moment they thought of him as the Wart, without considering the matter further. When the excitement had died down, Merlyn closed the door and took control of the situation. "Now," he said. "We have a great deal of business to transact, and very little time to do it in. Here you are, king: here is a chair for you at the head of the circle, because you are our leader, who does the hard work and suffers the pains. And you, urchin, it is your turn to be Ganymede, so you had better fetch the madeira wine and be quick about it. Hand round a big cup for everybody, and then we will start the meeting." Hedgehog brought the first cup to Arthur, and served him with importance on a bended knee, keeping one grubby thumb in the glass. Then, while he moved off round the circle, the sometime Wart had leisure to look about him. The Combination Room had changed since his last visit, a change which hinted strongly at his tutor's personality. For there, on all the spare chairs and on the floor and on the tables, lying open to mark significant passages, were thousands of books of all descriptions, each one forgotten since it had been laid down for future reference, and all covered with a fine layer of dust. There was Thierry and Pinnow and Gibbon and 28 The Book of Merlyn Sigismondi and Duruy and Prescott and Parkman and Juserand and d'Alton and Tacitus and Smith and Trevelyan and Herodotus and Dean Millman and MacAllister and Geoffrey of Monmouth and Wells and Clausewitz and Giraidus Cambrensis— including the lost volumes on England and Scotland—and Tolstoy's War and Peace and the Comic History of England and the Saxon Chronicle and the Four Masters. There were de Beer's Vertebrate Zoology, Elliott-Smitn's Essays on the Evolution of Man, Eltringham's Senses of Insects, Browne's Vulgar Errors, Aldrovandus, Matthew Paris, a Bestiary by Physiologus, Frazer in the complete edition, and even Zeus by A. B. Cook. There were encyclopedias, charts of the human and other bodies, reference books like Witherby, about every sort of bird and animal, dictionaries, logarithm tables, and the whole series of the D.N.B. On one wall there was a digest made out in Merlyn's longhand, which shewed, in parallel columns, a concordance of the histories of the human races for the last ten thousand years. The Assyrians, Sumerians, Mongols, Aztecs etc. each had a separate ink, and the year A.D. or B.C. was written on a vertical line at the left of the columns, so that it was like a graph. Then, on another wall, which was even more interesting, there was a real graph which shewed the rise and fall of various animal races for the last thousand million years. When a race became extinct, its line met the horizontal asymptote and vanished. One of the latest to do this was the Irish elk. A map, done for fun, shewed the position of the local birds* nests in the previous spring. In a corner of The Book of Merlyn 29 the room remote from the fire, there was a worktable with a microscope on it, under whose lens there was laid out an exquisite piece of micro-dissection, the nervous system of an ant. On the same table there were the skulls of men, apes, fish and wild geese, also dissected, in order to shew the relation between neopallium and corpus striatum. Another corner was fitted up with a sort of laboratory, in which, in indescribable confusion, there stood retorts, test tubes, centrifuges, germ-cultures, beakers and bottles labelled Pituitary, Adrenalin, Furniture Polish, Venticatchellum's Curry Powder, or De Kuyper's Gin. The latter had a pencilled inscription on the label, which said: The Level on this Bottle is MARKED. Finally there were meat-safes containing live specimens of mantes, locusts and other insects, while the remainder of the floor carried a debris of the magician's passing crazes. There were croquet mallets, knitting needles, pastels surfins, lino-cutting tools, kites, boomerangs, glue, boxes of cigars, home-made wood-wind instruments, cookery books, a bull-roarer, a telescope, a tin of grafting wax and a hamper marked Fortnum and Mason's on the bottom. The old king heaved a sigh of contentment, and forgot about the actual world. "Now, badger," said Merlyn, who was bristling with importance and officiousness, "hand me the minutes of the last meeting." "We did not take any. There was no ink." "Never mind. Give me the notes on the Great Victorian Hubris." "They were used to light the fire." The Book of Merlyn 31 "Confound it. Then pass the Prophecies." "Here they are," said the badger proudly, and he stooped down to scrape together the flood of papers which had shot into the fender when he first stood up. "I had them ready," he explained, "on purpose." They had caught light, however, and, when he had blown them out and delivered them to the magician, it was found that all the pages had been burned in half. "Really, this is too vexatious! What have you done with the Thesis on Man, and the Dissertation Concerning Might?" "I had them under my hand a moment ago." And the poor badger, who was supposed to be the secretary of the committee, but he was not a good one, began rummaging about short-sightedly among the boomerangs, looking very much ashamed and worried. Archimedes said, "It might be easier to do it without papers, Master, just by talking." Merlyn glared at him. "We have only to explain," suggested T. natrix. Merlyn glared at him also. "It is what we shall have to do in the end," said Balin, "in any case." Merlyn gave up glaring and went into the sulks. Cavall, who had come secretly, sneaked into the king's lap with an imploring look, and was not prevented. Goat stared into the fire with his jewel eyes. Badger sat down again with a guilty expression, and hedgehog, sitting primly in his corner away from the others with his hands folded 32 The Book of Merlyn in his lap, gave an unexpected lead. "Tell 'un," he said. Everybody looked at him in surprise, but he was not to be put down. He knew why people moved away when he sat next to them, but a mun had rights for all that. "Tell 'un," he repeated. The king said, "I would like it very much if you did tell me. At present I do not understand anything, except that I have been brought here to fill some gaps in this extraordinary education. Could you explain from the beginning?" "The trouble is," said Archimedes, "that it is difficult to decide which is the beginning." "Tell me about the committee, then. Why are you a committee, and what on?" "You could say we are the Committee on Might in Man. We have been trying to understand your puzzle." "It is a Royal Commission," explained the badger proudly. "It was felt that a mixture of animals would be able to advise upon the different departments..." Here Merlyn could contain himself no longer. Even for the sake of his sulks, it was impossible to hold off when it came to talking. "Allow me," he said. "I know exactly where to begin, and now I shall do it. Everybody to listen. "My dear Wart," he continued, after the hedgehog had said Hear-hear and, as an afterthought, Order-order, "I must ask you at the outset to cast your mind back to the beginning of my tutorship. Can you remember?" The Book of Merlyn 33 "It was with animals." "Exactly. And has it occurred to you that this was not for fun?" "Well, it was fun...." "But why, we are asking you, with animals?" "Suppose you were to tell me." The magician crossed his knees, folded his arms and frowned with importance. "There are two hundred and fifty thousand separate species of animal in this world," he said, "not counting the living vegetables, and of these no less than two thousand eight hundred and fifty are mammals like man. They all of them have some form of politics or another—it was the one mistake my old friend Aristotle made, when he defined his man as a Political Animal—yet man himself, this miserable nonentity among two hundred and forty-nine thousand nine hundred and ninety-nine others, goes drivelling along his tragic political groove, without ever lifting his eyes to the quarter million examples which surround him. What makes it still more extraordinary is that man is a parvenu among the rest, nearly all of which had already solved his problems in one way or another, many thousand years before he was created." There was a murmur of admiration from the committee, and the grass-snake added gently: "It was why he tried to give you an idea of nature, king, because it was hoped that when you were struggling with the puzzle, you would look about you." "The politics of all animals," said the badger, "deal with the control of Might." 34 The Book of Merlyn "But I do not sec..." he began, only to be anticipated. "Of course you do not see," said Merlyn. "You were going to say that animals have no politics. Take my advice, and think it over." "Have they?" "Of course they have, and very efficient ones they are. Some of them are communists or fascists, like many of the ants: some are anarchists, like the geese. There are socialists like some of the bees, and, indeed, among the three thousand families of the ant itself, there are other shades of ideology besides fascism. Not all are slave-makers or warfarers. There are bank-balance-holders like the squirrel, or the bear who hibernates on his fat. Any nest or burrow or feeding ground is a form of individual property, and how do you think the crows, rabbits, minnows, and all the other gregarious creatures contrive to live together, if they have not faced the questions of Democracy and of Force?" It was evidently a well-worn topic, for the badger interrupted before the king could reply. "You have never given us," he said, "and you never will give us, an example of capitalism in the natural world." Merlyn looked unhappy. "And," he added, "if you cannot give an example, it only shews that capitalism is unnatural." The badger, it may be mentioned, was inclined to be Russian in his outlook. He and the other animals had argued with the magician so much during the past few centuries that they had all The Book of Merlyn 35 come to express themselves in highly magic terms, talking of bolshevists and nazis with as much ease as if they had been little more than the Lollards and Thrashers of contemporary history. Merlyn, who was a staunch conservative— which was rather progressive of him, when you reflect that he was living backwards—defended himself'feebly. "Parasitism," he said, "is an ancient and 36 The Book of Merlyn respectable compartment in nature, from the cuckoo to the flea." "We are not talking about parasitism. We are talking about capitalism, which has been exactly defined. Can you give me a single example, other than man, of a species whose individuals will exploit the labour value of individuals of the same species? Even fleas do not exploit fleas." Merlyn said: "There are certain apes which, when kept in captivity, have to be closely watched by their keepers. Otherwise the dominant individuals will deprive their comrades of food, even compelling them to regurgitate it, and the comrades will starve." "It seems a shaky example." Merlyn folded his hands and looked more unhappy than ever. At last he screwed his courage to the sticking point, took a deep breath, and faced the truth. "It is a shaky example," he said. "I find it impossible to mention an example of true capitalism in nature." He had no sooner said it than his hands unfolded themselves like lightning, and the fist of one flashed into the palm of the other. "I have it!" he cried. "I knew I was right about capitalism. We are looking at it the wrong way round." "We generally are." "The main specialisation of a species is nearly always unnatural to other species. Just because there are no examples of capital in nature, it does not mean that capital is unnatural for man, in the sense of its being wrong. You might as well say The Book of Merlyn 37 that it is wrong for a giraffe to eat the tops of trees, because there are no other antelopes with necks as long as his, or that it was wrong for the first amphibian to crawl out of the water, because there were no other examples of amphibians at the time. Capitalism is man's speciality, just as his cerebrum is. There are no other examples in nature of a creature with a cerebrum like that of man. This does not mean that it is unnatural for man to have a cerebrum. On the contrary, it means that he must go ahead with it. And the same with his capitalism. It is, like his brain, a speciality, a jewel in the crown! Now I come to , think of it, capitalism may be actually consequent upon the possession of a developed cerebrum. Otherwise, who should our only other example of capitalism—those apes I mentioned—occur among the anthropoids whose brains are akin to man's? Yes, yes, I knew I was right to be a minor capitalist all the time. I knew there was a sensible reason why the Russians of my youth should have modified their ideas. The fact that it is unique does not mean that it is wrong: on the contrary, it means that it is right. Right for man, of course, not for the other animals. It means..." "Do you realise," asked Archimedes, "that the audience has not understood a single word you are saying, for several minutes?" Merlyn stopped abruptly and looked at his pupil, who had been following the conversation with his eyes more than anything else, looking from one face to the other. "I am sorry." 38 The Book of Merlyn The king spoke absently, almost as if he were talking to himself. "Have I been stupid?" he asked slowly, "stupid not to notice animals?" "Stupid!" cried the magician, triumphant once again, for he was in high delight over his discovery about capital. "There at last is a crumb of truth on a pair of human lips! Nunc dimittis!"* And he immediately leaped upon his hobbyhorse, to gallop off in all directions. "The cheek of the human race," he exclaimed, "is something to knock you footless. Begin with the unthinkable universe; narrow down to the minute sun inside it; pass to the satellite of the sun which we are pleased to call the Earth; glance at the myriad algae, or whatever the things are called, of the sea, and at the uncountable microbes, going backwards to a minus infinity, which populate ourselves. Drop an eye on those quarter million other species which I have mentioned, and upon the unmentionable expanses of time through which they have lived. Then look at man, an upstart whose eyes, speaking from the point of view of nature, are scarcely open further than the puppy's. There he is, the—the gollywog—" He was becoming so excited that he had no time to think of suitable epithets. "There he is, dubbing himself Homo sapiens, forsooth, proclaiming himself the lord of creation, like that "Literally, "now you send away" or "now you let depart," from the Canticle of Simeon, Luke 2:29. This has come to be used in a general sense, signifying "I've seen it all now; I can die happy." The Book of Merlyn 39 ass Napoleon putting on his own crown! There he is, condescending to the other animals: even condescending, God bless my soul and body, to his ancestors! It is the Great Victorian Hubris, the amazing, ineffable presumption of the nineteenth century. Look at those historical novels by Scott, in which the human beings themselves, because they lived a couple of hundred years ago, are made to talk like imitation wanning pans! Man, proud man, stands there in the twentieth century, complacently believing that the race has 'advanced' in the course of a thousand miserable years, and busy blowing his brothers to bits. When will they learn that it takes a million years for a bird to modify a single one of its primary feathers? There he stands, the crashing lubber, pretending that everything is different because he has made an internal combustion engine. There he stands, ever since Darwin, because he has heard that there is such a thing as evolution. Quite regardless of the fact that evolution happens in million-year cycles, he thinks he has evolved since the Middle Ages. Perhaps the combustion engine has evolved, but not he. Look at him sniggering at his own progenitors, let alone the other types of mammal, in that insufferable Connecticut Yankee in King Arthur's Court. The sheer, shattering sauce of it! And making God in his own image! Believe me, the so-called primitive races who worshipped animals as gods were not so daft as people choose to pretend. At least they were humble. Why should not God have come to the earth as an earth-worm? There are a great many more worms than men, and they do a great deal 40 The Book of Merlyn more good. And what is it all about, anyway? Where is this marvellous superiority which makes the twentieth century superior to the Middle Ages, and the Middle Ages superior to primitive races and to the beasts of the field? Is man so particularly good at controlling his Might and his Ferocity and his Property? What does he do? He massacres the members of his own species like a cannibal! Do you know that it has been calculated that, during the years between 1100 and 1900, the English were at war for four hundred and nineteen years and the French for three hundred and seventy-three? Do you know that Lapouge has reckoned that nineteen million men are killed in Europe in every century, so that the amount of blood spilled would feed a fountain of blood running seven hundred litres an hour since the beginning of history? And let me tell you this, dear sir. War, in Nature herself outside of man, is so much a rarity that it scarcely exists. In all those two hundred and fifty thousand species, there are only a dozen or so which go to war. If Nature ever troubled to look at man, the little atrocity, she would be shocked out of her wits. "And finally," concluded the magician, pulling up into a canter, "leaving his morals out of account, is the odious creature important even in a physical sense? Would neutral Nature be compelled to notice him, more than the greenfly or the coral insect, because of the changes which he has effected on the surface of the earth?" THE KING SAID POLITELY, stunned by such a lot of declamation: "Surely she would. Surely we are important from what we have done?" "How?" demanded his tutor fiercely. "Well, I must say. Look at the buildings which we have made on the earth, and towns, and arable fields..," "The Great Barrier Reef," observed Archimedes, looking at the ceiling, "is a building a thousand miles long, and it was built entirely by insects." "But that is only a reef..." Merlyn dashed his hat on the floor, in his usual way. "Can you never learn to think impersonally?" he demanded. "The coral insect would have as much right to reply to you, that London is only a town." "Even then, if all the towns in the world were placed end to end.. .** 41 42 The Book of Merlyn Archimedes said: "If you begin producing all the towns in the world, I shall begin producing all the coral islands and atolls. Then we will weigh them carefully against each other, and we shall see what we shall see." "Perhaps coral insects are more important than men, then, but this is only one species..." Goat said slyly: "The committee had a note somewhere about the beaver, I think, in which he was said to have made whole seas and continents...." "The birds," began Balin with exaggerated nonchalance, "by carrying the seeds of trees in their droppings, are said to have made forests so large..." "Them rabbits," interrupted the urchin, "whatter nigh depopulated Austrylia..." "The Foraminifera of whose bodies the 'white cliffs of Dover' are actually composed..." "The locusts..." Merlyn held up his hand. "Give him the humble earth-worm," he said majestically. So the animals recited in unison: "The naturalist Darwin has pointed out that there are about 25,000 earth-worms in every field acre, that they turn over in England alone 320,000,000 tons of soil a year, and that they are to be found in almost every region of the world. In thirty years they will alter the whole earth's surface to the depth of seven inches. 'The earth without worms,* says the immortal Gilbert White, 'would soon become cold, hard-bound, void of fermentation, and consequently sterile.'" **!T SEEMS TO ME," said the king happily, for these high matters seemed to be taking him far from Mordred and Lancelot, far from the place where, as they put it in King Lear, humanity must perforce prey on itself like monsters of the deep, into the peaceful world where people thought and talked and loved each other without the misery of doing, "it seems to me, if what you say is true, that it would do my fellow humans good to take them down a peg. If they could be taught to look at themselves as another species of mammal for a change, they might find the novelty a tonic. Tell me what conclusions the committee has come to, for I am sure you have been discussing it, about the human animal?" "We have found ourselves in difficulty about the name." "What name?" "Homo sapiens," explained the grass-snake. "It 43 44 The Book of Merlyn became obvious that sapiens was hopeless as an adjective, but the trouble was to find another." Archimedes said: "Do you remember that Merlyn once told you why the chaffinch was called coelebsl A good adjective for a species has to be appropriate to some peculiarity of it, like that." "The first suggestion," said Merlyn, "was naturally ferox, since man is the most ferocious of the animals." "It is strange that you should mention/